Imprint
Heinemann
Author(s)
Martin Brandt
Imprint
Heinemann
Author(s)
Martin Brandt
For too long, sentence instruction has been heavy on correctness and terminology (as in “mind your grammar”) and light on play and experimentation. Or it has been abandoned altogether. In this lively book, Marty Brandt sets out to change all that.
It is partly the story of a teacher hitting a plateau in mid-career, deeply frustrated by the flatness of his students’ writing, particularly as they struggled with more academic tasks. But it also tells the story of important but neglected research in sentence instruction, which Brandt revives, reinventing his instruction by explicitly teaching the possibilities of sentences.
In Between the Commas, he identifies three “pillars” of sentence instruction:
To help his students understand these concepts, Brandt invents his own terms—the Dime- Dropper, Smack-Talker, ingBomb, Sentence Wannabe, and the Not/But—to describe key moves a writer can make, illustrating them with both student and professional examples. The book is also filled with practical exercises in sentence manipulation that can be used directly in your classroom or modified for your students.
At long last, sentence instruction that can really help young writers—and their teachers.
Martin Brandt teaches English at San Jose’s Independence High School, a large urban school with a diverse student population. He is a teacher consultant with the San Jose Area Writing Project and former winner of the California Teachers of English Award for Classroom Excellence.
Foreword by Thomas Newkirk
Introduction:
Three Questions I Could Not Answer
Toward a Deeper Understanding of the Sentence
“Just a Guy”: Independence High School to San Francisco State
The Three Pillars of Sentence Instruction
Part One: Sentence Focus (Get the “Awk” Outta Here)
Positioning Our Students for Growth
Alexis de Tocqueville and the Subject A Test
Sources of Sentence Focus Errors
The Beauty of Understanding Sentence Focus
Part Two: Sentence Development (Writing Between the Commas)
Riding Bicycles into Rosebushes
Understanding Sentence Development
Structures for Leveraging Information: The Adjective Clause and the Noun Phrase Appositive
Structures for Adding Detail and Imagery: The Verbal Phrase and the Absolute
The Correlative Not-But
Toward a Theory of Latency
Some Final Thoughts About These Exercises
Part Three: Sentence Coherence (Making Sentences Work Together)
Writing to Think
What Is Sentence Coherence?
Inward to the Text, Outward to the World
What Is Development in Writing?
Part Four: Sentence Instruction At Work (“Voices They Had Not Heard Before”)
The Three Pillars at Work in the Classroom
Seven Days in May
A Stack of Essays